Also known ascentercentrebrahm sthanmiddle of house
Ati marma are the nine most sensitive points of the Vastu grid, formed where six devta-to-devta lines cross. In a regular, proportionate plot almost all of them fall in the Brahmasthan, and any piercing, load or dirt on them blocks the energy of the whole plot and brings severe, lasting trouble, above all to the owner (griha swami).
The centre, zoning, devtas and marma are taken on every area the residents can access and use, such as parking, a small garden, terraces and balconies. Only when a large part of the land lies unused is the constructed area zoned on its own.
The corners of a plot are its biggest sources of energy, and energy flows diagonally from corner to corner through the brahmasthan like a highway. Piling or filling a huge mass over a whole corner zone creates a serious defect.
Whenever any item, such as a pyramid, is put into the ground for vastu treatment, yellow mustard is added with it as the strongest catalyst. It must be buried deep enough and kept away from moisture, or it sprouts and cracks the floor.
The space element sits at the centre, the Brahmasthan; its shape is shapeless or round, its colour black or colourless, and any vacant, open-to-sky area represents it.
In Vedic vastu the water element runs from NNE through NE to East, fire from East to about South, earth from South to before West, and air from West to before North. The space element sits in the Brahmasthan.
Rules to avoid in kitchen design: no south-facing door, no doorless or open kitchen, no central platform, no mirrors or water artifacts, no toilet on any of its six sides and no well, borewell or tank above or below.
Stairs are excellent in SSW (the heavier the better) and good to very good in South, SW, WSW, West, WNW and NW; they must never be in the NE zone, the Brahmasthan, the North or right in front of the main door.
The drawing room is the place for exchanging ideas, so its furniture is set in a square or rectangle, the person putting forward his views faces North, the colours are light and windows give cross-ventilation.
Four positions are forbidden for a toilet whatever the zone: the Brahmasthan, directly opposite the main door, directly opposite the kitchen and under the staircase.
A solid wooden false ceiling without gaps is the best; a glass ceiling is acceptable if fully sealed, while fibre, steel or other metal, synthetic fabric and PVC ceilings disturb energy.
A ceiling's shape brings its element into the room, so ceilings are shaped by zone: half-moon in water zones, a round dome at the Brahmasthan, a rectangle in South and West bedrooms, and never a triangle.
Furniture gives the best results when it is made of good wood, upholstered in cloth and arranged in the shape of the element of its zone.
Solid wooden flooring is the best, ceramic tiles suit business, vitrified tiles are acceptable, and laminate (melamine, a petroleum by-product) should be avoided.
Tulsi senses negative energy entering the home and drives it away, and the air rising from it cleans the whole house, so every home must have one, especially in the North-East and the brahmasthan.
A mirror deepens the surface it is on: on a wall it makes the space look extended, on the floor it creates a pit. Highly reflective tiles, marble or stone must not be used in the South to West zones or the Brahmasthan.
Yes, it is wrong. Even if the floors slope to the North-East, a roof whose whole slope falls into the Brahmasthan creates the same defect as a slope toward the centre.
Because the degree must never be taken from the centre. A compass placed at the centre only shows roughly whether a room is in the North-East or North-West; the exact tilt comes only when the compass is parallel to a wall. In a regular house, readings taken parallel to the walls are the same everywhere.
Yes. Land energy carries 70 percent of the role, so changing and correcting it can give about 50 to 60 percent relief. Many large hotels have toilets in the Ishaan and still prosper because 6 to 10 feet of soil was dug out and thrown away, removing the land's negativity. In vastu, dasha (land energy) matters more than disha (direction).
A sunken courtyard in the centre suits only a temple. In homes the courtyards were actually built raised, with a boundary all around and a tulsi platform in the middle, so they were not counted as a defect.
Take five samples, representing the five elements: one from each of the four corners (vidishas) and one from the Brahmasthan. Take the soil from about 4 inches (4 angul) below the surface.
No, do it in open ground. Thrown to a low height, the coconut naturally falls close by and shows nothing; it must go up at least 10 feet.
A pad is one of the equal sections into which a plot is divided. For 81 pad vastu a house, for example 90 by 90 ft, is divided into 9 by 9 equal sections and each section is one pad; the larger grids, such as the 1000 pad grid, divide the plot into many more equal sections. Some areas such as the Brahmasthan cover several padas together even if the drawing does not show their inner divisions.
Keeping it open on all floors is excellent. If that is not possible, a double height open at the Brahmasthan, for example about 20 ft, still balances the space element even if it is closed above. A survey found that houses with a double height at the Brahmasthan had more happiness and peace.
Do not stay in the Brahmasthan at any cost; sleeping in the drawing room, or even on the road, would be better. If zoning the whole area puts the room in the North-East, it can be used with discretion, but it is not ideal; the best zone for a delivery is the South-West, the zone of stability. A backyard on the North side is good.
The underground drainage line should run from the South-West towards the North-West, that is clockwise, and leave the plot at the North-West; that is good.
Finding the centre was covered in earlier classes. Either use software such as AutoCAD, or use the hanging method: cut out the shape, hang it from one point and mark the vertical line, then hang it from another point and mark again; the crossing is the centre. Joining diagonals gives the centre only for a regular plot.
Because in a regular, proportionate plot almost all nine ati marma fall in the Brahmasthan. So an aangan (courtyard) or open space was left there, or the area was kept free of regular stable activity and heavy items. In an irregular plot there is no guarantee where the points fall.